It started with Rev. Jerome Fisher. He
was the pastor of Little Zion Baptist Church in Compton, California,
one of the sister churches of St. Mark Baptist Church in Long Beach
where my family and I were long time and dutiful members. I was
probably nine years old when I first saw him. He led a revival at our
church and I was inspired by the way he used words, moved his body,
raised and lowered his voice, lifted his hands, spread his fingers
and shuffled his feet. I wanted to do that. I wanted to move people
with my words too. I wanted sweat to fall from my forehead. I wanted
to hear people say Amen and Hallelujah and Make it plain! But in my
way. I wasn't a preacher. I was something though. Just didn't know
what.
I would later find out that I was a
storyteller. I didn't even know that was a thing. Specifically, I was
a poet who told stories. I was always a writer. When I was a very
young girl I started keeping journals I called My Famous Stories. On
those wide lined bright white pages I deposited my thoughts and
worries and joys. Mostly my worries. I was young, Virgo, Christian,
skinny, black, average student and only the seventh cutest girl in my
third grade class. I had issues. My stories were poorly disguised
tales of what was going on in my day.
Today there was a boy named Sommy
(real name, Tommy) who was very, very
mean to me in the cafeteria. One day I
will grow tall as the sky and be the queen
of the world and Sommy will be so
sorry that he ever bothered me or anybody in
the world because his hands and feet
will be tied up super tight and all the people
he ever bothered in the whole school
will line up and he will have to tell them that
he is very sorry. I won't let him go
though, unless I know that he means it and then
he will have to go to church every
Sunday for a whole year and pray on his knees
to God and Jesus and see if they will
forgive him.
In my journals I could be the queen of
the world and destroy bullies. I could be anyone I wanted to be. My
pen was a magic word wand I could wave and be heard, believed,
accepted, courageous. Words were my therapy. I escalated to sharing
my stories with my dolls, stuffed animals, mirrors, bookcases and
other objects in my room with my red handled hair brush as my
microphone. I waved hand, extended my arms, dropped to one knee,
balled fists, lifted chin. The whole nine. I thought that's what
speakers did. I outgrew My Famous Stories and my brushmicrophone and
became a professional storyteller. I tell stories well. Sometimes on
stage now, I find myself speaking, waving, fanning like my first
public speaking idol, Rev. J. Fisher. After all these years I cannot
seem to un Jerome Fisher myself, and I don't want to. I am a mixture
of him, my grandfather, some old blue black women from Ghana,
Louisiana, Alabama and myself. Myself. I came to this planet to tell
stories.
Today I teach poetry to high school
students and run an online adult creative writing workshop. I travel
the country reciting poetry and telling stories in schools, churches,
galleries, jails and other places. I live my life encouraging others
to use their words. And I am thankful. Almost twenty years ago I was
blessed with a record deal from Verve Records, a well known jazz
label, to create a poetry and music album with an incredible singer.
Together, we were a group called Res Ipsa, which is a legal term
short for res ipsa loquitur meaning, the thing speaks for itself. And
we did. Two strong black women in front of large and small crowds
using our powerful voices, sharing stories, changing lives. When we
were almost complete with the album we ceased working together and so
went our deal with Verve. But so began my career as a solo
professional storyteller. From there I spoke in more hotels, halls,
clubs, funerals, parties than I can remember to count. And I loved
it. I still do.
As an artist (storyteller) I believe
that one of my major jobs is to report the news. And I do. My stories
have advanced from Sommy the bad boy and are now littered with
accounts of the string of murders by police on black men and women. I
talk about horrific abuse against women that has now been given a
prettied up label called domestic violence. I talk about bullied
children. I use my voice as advocate for the homeless, hungry. For
the gay community fighting for equal rights. For teachers fighting
for fair pay. For mentally and physically ill. I talk about nature
and love and my amazing son. I talk about the sun. While my passion
to speak and perform publicly was sparked by an old minister I never
said two words to, my desire was fueled from my own abuse and my hope
that I could change the future for other children who were in harmful
situations and were too afraid to tell. There are three quotes by
Audre Lorde by which I have lived my life:
- “Your silence will not protect you.”
- “If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.” And
- “When I dare to be powerful, to use my strength in the service of my vision, then it becomes less and less important whether I am afraid.”
Often when people ask me why I write
and tell stories my mind goes back to an early moment in my
childhood. I was four years old and my mother was pregnant with my
sister Roshann. We had recently moved into a house in a neighborhood
in Long Beach. We had come to know the family next door in the green
house well enough. There was a mother and two teenaged girls, fifteen
and seventeen. The girls offered to help my parents by babysitting me
and after some time they were allowed. There was a white tent in
their backyard and another teenaged boy who lived down the street.
The girls went from babysitting me to forcing me, at four years old,
to suck the boy's dick. I had never heard the word dick before. I
knew boys had pee pees but dicks were new. Perhaps pee pees grew into
dicks, I surmised. There was no sucking, only chocking. Then there
was liquid that was not my spit anymore that I naturally assumed was
his urine. I ran from the tent screaming “he peed in my mouth! He
peed in my mouth!” Then the younger girl caught me and tied a thick
rope around my neck and the other end to the t shaped steel
clothesline post cemented into the ground. She held my body as it
swung and promised incredible harm if I told. I believed her.
This is why I write stories for a
living. For girls and boys like me who choked on a penis too big for
her jaws, too long for her throat. For children who thought they had
pee on their tongues and couldn't outrun a fifteen year old girl. For
human beings everywhere who were threatened if they spoke. Telling my
stories publicly came from a desire for people to put a face to
people and issues they generally stigmatized. I wanted people to know
that when they labeled abused children as broken, that they were
talking about me. And I'm not broken.
There is sadly a misconception about
the mentally ill in this country, and throughout the world. I speak a
lot about this because I am bipolar 1, medicated but not compliant to
my meds. I want people to know that when they say that someone who is
mentally ill and has spent her days in the psyche ward, is not
intelligent, can not be of incredible use in this world, they are
talking about me. And I am awesome.
Another question I'm often asked by
students and audience members is how to handle writer's block. What
if you don't have a story to tell? What if you can't think of
anything? What if nothing is going on to talk about? What if you
haven't been abused? What if what if what if if if if? My answer is
usually not what they want to hear. I don't believe in writer's
block. When I have “writer's block” it is because I am not
telling a particular story, for whatever reason. Now, there are
stories I don't want to tell. As a writer and storyteller I try to
challenge myself by Telling. That. Story. Not out loud at first, but
in a journal. On some notepad. In the margins of some textbook. As
the saying goes, better out than in. I live my life getting the
stories out. The same one by one way they got in there if necessary.
There is always something to write about. There is always a story to
tell. There are times I don't feel like writing or talking, but
that's not writer's block. That's a different story.
January 1, 2013 I began a project to
write a poem a day for the year and post the work on my blog for
others to view. The posting was more to make myself accountable to
the community of people who read my blog. Proudly, I kept covenant
with myself and completed the year. I continued into this year with a
new goal to post a poem a day with a different kind of poem each
month. I think I began January with haikus then sonnets in February
and so on. I have some catching up to do because I ended the poetry
every day journey early September with couplets and we are now in the
middle of October. I will catch up. Though I am behind on writing
poems every day I do write stories and other free writing exercises
in my blog or journal. One day last year when I couldn't think of a
poem to write, I wrote about the contents in my purse. The phone,
ipad, camera, notebook, novel, lipstick, mascara... I talked about
why I carried the stuff I toted and my attachment to those things
such that I would carry them every day, every where. There is always
a story to tell.
Four years ago I created a storytelling
venue called Red Stories. It's once a month and I invite an artist a
month to tell her / his story. The event is held in a coffeehouse /
bookstore in Inglewood, California and the performance area holds
about fifty people. The audience comes in and greet each other. I
begin the night with a welcome, a poem, a joke, a story. Sometimes I
bring up a poet or singer to further warm the stage, then I call up
the featured artist. The speaker takes her / his seat and then the
words fall. On these nights we, the audience, get to experience the
artist in a way we won't get to on any other stage. Usually when
artists are invited out to speak, the request is that they speak
within their genre. For instance, poets are invited to recite poems.
Singers to sing. Dancers to dance. I invite a wide range of artists
and on Red Stories nights what they have in common is that they are
invited to tell their stories. They can go back as far as they choose
and give the detail they want. What always seems to happen is that
the guests tell stories they didn't intend to tell. Often after the
show, guests tell me that they didn't mean to say that or
go that deep but they
felt comfortable enough to let the words out. The show has been
greatly enjoyed since the first month.
Being a
storyteller, I love stories and words. Not just my own. I love quotes
and listening to the lives of others. I have a strong belief in the
power of words. They save lives. They saved mine. There are two
quotes by Confucius that I also love.
- “Choose a job you love, and you will never have to work a day in your life.” And
- “Wheresoever you go, go with all your heart”
I don't know how
much I chose being a storyteller and how much it chose me. I am this
and would be a storyteller inside of whatever career path I followed.
If I sold shoes I would find a way to share stories with each
customer. Everywhere I go, I keep taking me and my passion for words
and stories with me. With all of my heart.
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